{"title":"Issues","description":"","products":[{"product_id":"january-february-2015","title":"Vol. 44 No. 1 - Jan\/Feb 2015","description":"\u003cstrong\u003eBeth Bachmann:\u003c\/strong\u003e wall \"to keep the peace...\" • wall \"some places...\" • wall \"on one side...\" • wall \"we need one more...\" • flower (child) • speech (inaugural poem) • shame • cloud lake both rain\u003cbr\u003e\u003cstrong\u003eAri Banias:\u003c\/strong\u003e Aren't We\u003cbr\u003e\u003cstrong\u003eCurtis Bauer:\u003c\/strong\u003e Saetas\u003cbr\u003e\u003cstrong\u003eRobin Becker:\u003c\/strong\u003e What Matters (\u003cstrong\u003eMaxine Kumin\u003c\/strong\u003e's Legacy: Six Voices)\u003cbr\u003e\u003cstrong\u003eXochitl-Julisa Bermejo:\u003c\/strong\u003e La Perrera of Chavez Ravine\u003cbr\u003e\u003cstrong\u003eMalachi Black:\u003c\/strong\u003e [Here where] • Lines from the Throne of Old Ideas • On a Resistance to Memory • Erasure by Analogy\u003cbr\u003e\u003cstrong\u003eGeoff Bouvier:\u003c\/strong\u003e Poem for Breakfast • Please Enjoy Some Aural and Pastoral Snuff Porn • Universal Traffic • Eternal Mirror\u003cbr\u003e\u003cstrong\u003eMichael Broder:\u003c\/strong\u003e Postmodernism\u003cbr\u003e\u003cstrong\u003eDeborah Brown:\u003c\/strong\u003e On Maxine (\u003cstrong\u003eMaxine Kumin\u003c\/strong\u003e's Legacy: Six Voices)\u003cbr\u003e\u003cstrong\u003eJenny Browne:\u003c\/strong\u003e Welcome to Freetown\u003cbr\u003e\u003cstrong\u003eScott Dalgarno:\u003c\/strong\u003e The Raccoon: Once Considered Solitary • Backwards Jesus\u003cbr\u003e\u003cstrong\u003eAlex Dimitrov:\u003c\/strong\u003e In Defense of Obsession • In the New Century I Gave You My Name • The Hall of Mirrors • Vacation with Death\u003cbr\u003e\u003cstrong\u003eHannah Gamble:\u003c\/strong\u003e The Body Naked (\u003cstrong\u003eHannah Gamble\u003c\/strong\u003e interviewed by \u003cstrong\u003eBrandon Lewis\u003c\/strong\u003e)\u003cbr\u003e\u003cstrong\u003eArielle Greenberg:\u003c\/strong\u003e What to Read Now; Some Vital Books from 2014\u003cbr\u003e\u003cstrong\u003eEmily R. 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Grosholz:\u003c\/strong\u003e Returning as a Barn Swallow • \u003cstrong\u003e   Darla Himeles:\u003c\/strong\u003e Furniture • \u003cstrong\u003eCarole Simmons Oles:\u003c\/strong\u003e What We Were Made For • \u003cstrong\u003eAlicia Ostriker:\u003c\/strong\u003e Two Memories","brand":"The American Poetry Review","offers":[{"title":"Default Title","offer_id":1086763245,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/2147\/products\/apr_janfeb.jpg?v=1424287820"},{"product_id":"vol_43_no_6-nov-dec_2014","title":"Vol. 43 No. 6 - Nov\/Dec 2014","description":"\u003cstrong\u003eBeth Bachmann:\u003c\/strong\u003e In Between Words: A Conversation on the Extreme (with \u003cstrong\u003eNick Flynn\u003c\/strong\u003e)\u003cbr\u003e\u003cstrong\u003eBrian Barker:\u003c\/strong\u003e Evel Knievel\u003cbr\u003e\u003cstrong\u003eEavan Boland:\u003c\/strong\u003e Without a Country: A Detail\u003cbr\u003e\u003cstrong\u003eMarianne Boruch:\u003c\/strong\u003e Mudfest • Song Again, in Spring • The Pulse of the Nation • The Painting • Walking Backwards • Singular • Notation Gregorian • Gift • Reading in Bed • The Class of 1940 • Triptych in Grief and Life-Glad\u003cbr\u003e\u003cstrong\u003eMichael Broek:\u003c\/strong\u003e Adam Artillery Captain • Adam Watches Cartoons • Beasts\u003cbr\u003e\u003cstrong\u003eStephen Cramer:\u003c\/strong\u003e The Disintegration Loops\u003cbr\u003e\u003cstrong\u003eMary-Alice Daniel:\u003c\/strong\u003e Feel Better\u003cbr\u003eLetter: \u003cstrong\u003eTerence Diggory:\u003c\/strong\u003e \u003cem\u003ere\u003c\/em\u003e \u003cstrong\u003eLaurence Lieberman\u003c\/strong\u003e, Of Two Sublimities (\u003cem\u003eAPR, Vol. 33, No. 4, Jul\/Aug 2014\u003c\/em\u003e)\u003cbr\u003eLetter: \u003cstrong\u003eLaurence Lieberman\u003c\/strong\u003e: Response to \u003cstrong\u003eTerence Diggory\u003c\/strong\u003e [\u003cem\u003ere\u003c\/em\u003e \u003cstrong\u003eLaurence Lieberman\u003c\/strong\u003e, Of Two Sublimities (\u003cem\u003eAPR, Vol. 33, No. 4, Jul\/Aug 2014\u003c\/em\u003e)]\u003cbr\u003e\u003cstrong\u003eNick Flynn:\u003c\/strong\u003e In Between Words: A Conversation on the Extreme (with \u003cstrong\u003eBeth Bachmann\u003c\/strong\u003e)\u003cbr\u003e\u003cstrong\u003eMarcus Jackson:\u003c\/strong\u003e Paradise Skate\u003cbr\u003e\u003cstrong\u003eLaurence Lieberman:\u003c\/strong\u003e On the Brink of Secession: \u003cstrong\u003eGwendolyn Brooks\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eAda Limon:\u003c\/strong\u003e The Rewilding • Home Fires\u003cbr\u003e\u003cstrong\u003eTimothy Liu:\u003c\/strong\u003e Sold Out • The Inheritance\u003cbr\u003e\u003cstrong\u003eCate Lycurgus:\u003c\/strong\u003e Late, in a Time of Splendor • Refrain\u003cbr\u003e\u003cstrong\u003eTomas Q. 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Morin\u003c\/strong\u003e)\u003cbr\u003e\u003cstrong\u003eStanley Plumly:\u003c\/strong\u003e With Deborah in Amherst\u003cbr\u003e\u003cstrong\u003eMartha Silano:\u003c\/strong\u003e Interview of \u003cstrong\u003eRachel Zucker\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBruce Smith:\u003c\/strong\u003e Button • Feed • Honey • Pollen • True\/False\u003cbr\u003e\u003cstrong\u003eHeidi Lynn Staples:\u003c\/strong\u003e O Anti O Antiphons\u003cbr\u003e\u003cstrong\u003eWilliam Stobb:\u003c\/strong\u003e Freedom • Sam Says Everything\u003cbr\u003e\u003cstrong\u003eElizabeth Treadwell:\u003c\/strong\u003e Penny Marvel • Bear Flag Anthem • The Times • Towards the Momentum Fields\u003cbr\u003e\u003cstrong\u003eRachel Zucker:\u003c\/strong\u003e Interviewed by \u003cstrong\u003eMartha Silano\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e","brand":"The American Poetry Review","offers":[{"title":"Default Title","offer_id":1086782993,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/2147\/products\/apr_novdec14.jpg?v=1438012737"},{"product_id":"september-october-2014","title":"Vol. 43 No. 5 - Sept\/Oct 2014","description":"\u003ch2 style=\"text-align: left;\"\u003e\n\u003cstrong\u003eIn Memoriam: Stephen Berg (1934-2014), \u003c\/strong\u003e\u003cstrong\u003eFounding Editor of \u003cem\u003eThe American Poetry Review\u003c\/em\u003e\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eStephen Berg:\u003c\/strong\u003e Eight Sonnets: Lovesong • Faith • Horseshit in Sunlight • Took the Train to Hear Billie • Wings • Like Flies • Yellow Tree • Handwriting\u003cbr\u003e\u003cstrong\u003eStephen Berg:\u003c\/strong\u003e Prose Poem: Hello, Afterlife!\u003cbr\u003e\u003cstrong\u003eStephen Berg:\u003c\/strong\u003e Versions of Poems by Zen Master \u003cstrong\u003eDogen\u003c\/strong\u003e: Zazen \"That Idea\" • Trapped • Refusing What Dogen Says It Is • Whatever You Do • This Very Mind is Buddha • On Words • Wake the Nothingness Mind • Awake • Winter • 54 Years • Dogen • Watching the Moon • The Point of Zazen • Inconceivable Mind of Nirvana • Zazen \"Moon\" • Near Death\u003cbr\u003e\u003cstrong\u003eEdward Hirsch:\u003c\/strong\u003e \"Being Here, Like This\": \u003cem\u003eThe Poetry of \u003cstrong\u003eStephen Berg\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eDavid Rivard:\u003c\/strong\u003e \"What do I know\": \u003cstrong\u003e\u003cem\u003eStephen Berg\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eAlso in this issue:\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e \u003cstrong\u003eJabari Asim:\u003c\/strong\u003e Let Me Clear My Throat • Pinch Me\u003cbr\u003e\u003cstrong\u003eFred Brandfon:\u003c\/strong\u003e The History Boy:\u003cem\u003e Innocence and History in the Life and Music of \u003cstrong\u003ePete Seeger\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eJoanne Dominique Dwyer:\u003c\/strong\u003e Orange Jumpsuits • Shining Bucket • Levels of Lead\u003cbr\u003e\u003cstrong\u003eAnna Journey:\u003c\/strong\u003e Enter the Vomit: \u003cem\u003eEmploying the Grotesque in Contemporary Poetry\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eDavid Keplinger:\u003c\/strong\u003e Beatification • R • A City I'm Traveling To\u003cbr\u003e\u003cstrong\u003eDorothea Lasky:\u003c\/strong\u003e Rome • Wild\u003cbr\u003e\u003cstrong\u003eMichael McGriff:\u003c\/strong\u003e Cosmology • Skipping Your Funeral • Sleeping Beside White River • Rail Yard\u003cbr\u003e\u003cstrong\u003eJohn Poch:\u003c\/strong\u003e The Family Voice: \u003cem\u003eThe Confessional Pronouns' Greatest Hits\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eLee Ann Roripaugh:\u003c\/strong\u003e dreaming tsunami • emo tsunami • origin of tsunami\u003cbr\u003e\u003cstrong\u003eJason Schneiderman:\u003c\/strong\u003e The Loved One Always Leaves: \u003cem\u003eThe Poetic Friendship of \u003cstrong\u003eAgha Shalid Ali\u003c\/strong\u003e and \u003cstrong\u003eJames Merrill\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eNicole Sealey:\u003c\/strong\u003e Virginia is for Lovers\u003cbr\u003e\u003cstrong\u003eSandra Simonds:\u003c\/strong\u003e August in South Georgia • 21st Century Ars Poetica • Poetry Is Stupid and I Want to Die • The Elysian Fields\u003cbr\u003e\u003cstrong\u003eFranke Varca:\u003c\/strong\u003e Between Us • Pilot. Necrophobia [Wake Me Up on Monday]\u003cbr\u003e\u003cstrong\u003ePeter Waldor:\u003c\/strong\u003e New Parents, Bluegrass Festival • The Last of the Original Forms\u003c\/p\u003e","brand":"The American Poetry Review","offers":[{"title":"Default Title","offer_id":1086843421,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/2147\/products\/apr_sepoct14.jpg?v=1424291630"},{"product_id":"july-august-2014","title":"Vol. 43 No. 4 - Jul\/Aug 2014","description":"\u003cstrong\u003eBhisham Bherwani:\u003c\/strong\u003e Disassociated Selves: \u003cstrong\u003e\u003cem\u003eVijay Seshadri\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e's 3 Sections\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eGrant Clauser:\u003c\/strong\u003e Falling in Love with a Fiji Mermaid • Carbon County Boulder Field • The Lands We Lost\u003cbr\u003e\u003cstrong\u003eDenise Duhamel:\u003c\/strong\u003e Nature • Porn Poem (with \u003cstrong\u003eAndrea Dworkin\u003c\/strong\u003e)\u003cbr\u003e\u003cstrong\u003eAmy Gerstler:\u003c\/strong\u003e A Sane Life • On the Idea the Dead May Live Vicariously Through Us • Stoics • Rhinencephalon\u003cbr\u003e\u003cstrong\u003eArielle Greenberg:\u003c\/strong\u003e That Greeny Power: \u003cem\u003eRecent Works of Ecopoetics\u003c\/em\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cem\u003eThe Arcadia Project: North American Postmodern Pastoral\u003c\/em\u003e, edited by \u003cstrong\u003eJoshua Corey \u003c\/strong\u003eand\u003cstrong\u003e G. C. Waldrep\u003c\/strong\u003e, Ahsahta Press, 2012\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eArco Iris\u003c\/em\u003e, \u003cstrong\u003eSarah Vap\u003c\/strong\u003e, Saturnalia Books, 2012\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBird Lovers, Backyard\u003c\/em\u003e, \u003cstrong\u003eThalia Field\u003c\/strong\u003e, New Directions Books, 2010\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eBlack Nature: Four Centuries of African American Nature Poetry\u003c\/em\u003e, edited by \u003cstrong\u003eCamille Dungy\u003c\/strong\u003e, University of Georgia Press, 2009\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Eco Language Reader\u003c\/em\u003e, edited by \u003cstrong\u003eBrenda lijima\u003c\/strong\u003e, Portable Press at Yo-Yo Labs and Nightboat Books, 2010\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Ecopoetry Anthology\u003c\/em\u003e, edited by \u003cstrong\u003eAnn Fisher-Wirth \u003c\/strong\u003eand\u003cstrong\u003e Laura-Gray Street\u003c\/strong\u003e, Trinity University Press, 2013\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eMoney Money Money Water Water Water\u003c\/em\u003e, \u003cstrong\u003eJane Mead\u003c\/strong\u003e, Alice James Books, 2014\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSancta\u003c\/em\u003e, \u003cstrong\u003eAndrew Grace\u003c\/strong\u003e, Ahsahta Press, 2012\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSeasonal Works with Letters on Fire\u003c\/em\u003e, \u003cstrong\u003eBrenda Hillman\u003c\/strong\u003e, Wesleyan University Press, 2013\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eThe Tatters\u003c\/em\u003e, \u003cstrong\u003eBrenda Coultas\u003c\/strong\u003e, Wesleyan University Press, 2014\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eTo See the Earth Before the End of the World,\u003c\/em\u003e \u003cstrong\u003eEd Roberson\u003c\/strong\u003e, Wesleyan University Press, 2010\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eUtopia Minus\u003c\/em\u003e, \u003cstrong\u003eSusan Briante\u003c\/strong\u003e, Ahsahta Press, 2011\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eJennifer Grotz:\u003c\/strong\u003e Locked\u003cbr\u003e\u003cstrong\u003eTony Hoagland:\u003c\/strong\u003e I Seem to Be at a Great Feast: \u003cem\u003eThe War Poems of \u003cstrong\u003eGuillaume Apollinaire\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMarcus Jackson:\u003c\/strong\u003e Pardon My Heart\u003cbr\u003e\u003cstrong\u003eMichael Jenkins:\u003c\/strong\u003e Letter re: \"Homage to the Unburied\" by \u003cstrong\u003eLaurence Lieberman\u003c\/strong\u003e (\u003cem\u003eAPR\u003c\/em\u003e, Vol. 43, No. 2, March\/April 2014, p 17)\u003cbr\u003e\u003cstrong\u003eLaurence Lieberman:\u003c\/strong\u003e Of Two Sublimities: \u003cem\u003eLove Poems\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eReb Livingston:\u003c\/strong\u003e Five Poems from Bombyonder: \"Our boat needed something specific…\" • \"The butter churn dissolves.\" • \"How fascinating to work in the lone,…\" • \"Check for the hat that feels like a joke…\" • \"To assist the fluster of\" • • •\u003cbr\u003e\u003cstrong\u003e W. S. Merwin:\u003c\/strong\u003e Loss • The River • Water Music • O Silent Hands • The Laughing Child • Drinking Tea in the Small Hours • Cowbell • The Mapmaker • Under the Tree of Idleness\u003cbr\u003e\u003cstrong\u003eLucia Perillo:\u003c\/strong\u003e The Great Wave • Yellow Claw • Message • Bruce • Vic Damone Sings Uncle Dick's Song on the Ed Sullivan Show • Women in Black • Etiology of my illness (I ran the nature center near the city, so • Eschatological\u003cbr\u003e\u003cstrong\u003eLucia Perillo:\u003c\/strong\u003e Lucia Perillo interviewed by \u003cstrong\u003eLesley Valdes\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMira Rosenthal:\u003c\/strong\u003e New Poetry in Translation: \u003cem\u003eWriting Is Translation Is Writing\u003c\/em\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAlfonso D'Aquino:\u003c\/strong\u003e fungus skull eye wing: selected poems of \u003cstrong\u003eAlfonso D'Aquino\u003c\/strong\u003e (translated by \u003cstrong\u003eForrest Gander\u003c\/strong\u003e) Copper Canyon Press, 2013., reviewed by \u003cstrong\u003eMira Rosenthal. \u003c\/strong\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMilo De Angelis:\u003c\/strong\u003e Theme of Farewell and After-Poems (edited and translated by \u003cstrong\u003eSusan Stewart\u003c\/strong\u003e and \u003cstrong\u003ePatrizio Ceccagnoli\u003c\/strong\u003e) The University of Chicago Press, 2013, reviewed by \u003cstrong\u003eMira Rosenthal\u003c\/strong\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChris Tysh:\u003c\/strong\u003e \u003cem\u003eOur Lady of the Flowers, Echoic\u003c\/em\u003e, Les Figures Press, 2013, reviewed by \u003cstrong\u003eMira Rosenthal\u003c\/strong\u003e.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eAmy Small-McKinney:\u003c\/strong\u003e Background • Building Collapse\u003cbr\u003e\u003cstrong\u003eCharlie Smith:\u003c\/strong\u003e The Right Here • Unattainable Goodness • Samsara • Lacquered Dead\u003cbr\u003e\u003cstrong\u003ePamela Sutton:\u003c\/strong\u003e World Without Glass • Gnat Season • Today's Nudes • Primitive, Equine • \"Love, and a Bit with a Dog\"\u003cbr\u003e\u003cstrong\u003eLesley Valdes:\u003c\/strong\u003e \u003cstrong\u003eLucia Perillo\u003c\/strong\u003e interviewed by Lesley Valdes\u003cbr\u003e\u003cstrong\u003eNeal Whitman:\u003c\/strong\u003e Letter re: \"My Sister Arranges the Funeral\" by \u003cstrong\u003eCharlotte Holmes\u003c\/strong\u003e (\u003cem\u003eAPR\u003c\/em\u003e, Vol. 43, No. 3, May\/June 2014, p 30)","brand":"The American Poetry Review","offers":[{"title":"Default Title","offer_id":1104907961,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/2147\/products\/Cover_-_JA14.jpg?v=1425411946"},{"product_id":"vol-43-no-3-may-june-2014","title":"Vol. 43 No. 3 - May\/June 2014","description":"\u003cdiv class=\"issue-item\"\u003e\n\u003cstrong\u003eDick Allen:\u003c\/strong\u003e \u003cem\u003efrom\u003c\/em\u003e The Zen Master Poems and The Poet on the Poem: \u003cem\u003eThe Zen Master Poems\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eElliott batTzedek:\u003c\/strong\u003e When I first saw your living room with its matching leather furniture\u003cbr\u003e\u003cstrong\u003eMarianne Boruch:\u003c\/strong\u003e The Sound and Silence of the World Now\u003cbr\u003e\u003cstrong\u003eJack DeWitt:\u003c\/strong\u003e Cars and Culture:\u003cem\u003e Motoring On\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eNick Flynn:\u003c\/strong\u003e AK-47 • Father, Insect • Put the Load on Me • Kafka • Alcoholism • Epithalamion\u003cbr\u003e\u003cstrong\u003eHannah Gamble:\u003c\/strong\u003e Hanging Out with Girls • I Will Explain Infidelity\u003cbr\u003e\u003cstrong\u003eDoreen Gildroy:\u003c\/strong\u003e Labyrinth on My Table\u003cbr\u003e\u003cstrong\u003eBob Hicok:\u003c\/strong\u003e L'eau de vie • Guy talk • Love poem\u003cbr\u003e\u003cstrong\u003eCharlotte Holmes:\u003c\/strong\u003e Living in the Present • My Sister Arranges the Funeral • Permission\u003cbr\u003e\u003cstrong\u003eMark Jarman:\u003c\/strong\u003e Mother's Baptism • Bait Dog • Corsica • Dunya Ahiretin Tarlasidir\u003cbr\u003e\u003cstrong\u003eKristin Kelly:\u003c\/strong\u003e National Tragedy • Fathers\u003cbr\u003e\u003cstrong\u003eVictoria Kelly:\u003c\/strong\u003e Standing on the Airfield, Before War\u003cbr\u003e\u003cstrong\u003eAlicia Ostriker:\u003c\/strong\u003e Who's Minding the Story?: \u003cstrong\u003e\u003cem\u003eGerald Stern\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e as Jewish Poet and Tragic Comedian\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eAlan Michael Parker:\u003c\/strong\u003e A Little Chat I'll Have with the Very Next Horse I Meet • Fourteen Gods at the Door\u003cbr\u003e\u003cstrong\u003eZach Savich:\u003c\/strong\u003e Forever For Sale Truck\u003cbr\u003e\u003cstrong\u003eBJ Ward:\u003c\/strong\u003e Ode to the Middle Finger\u003cbr\u003e\u003cstrong\u003eGreg Wrenn:\u003c\/strong\u003e The 23rd-Century Nature Poem\u003cbr\u003e\u003cstrong\u003eLevity \u0026amp; Gravity: \u003c\/strong\u003eFrom a panel discussion first presented at AWP 2013 in Boston.\u003cbr\u003e      \u003cstrong\u003eHannah Fries:\u003c\/strong\u003e Levity \u0026amp; Gravity. \u003cem\u003eIntroduction\u003c\/em\u003e. \u003cbr\u003e\u003cstrong\u003e      Alison Hawthorne Deming:\u003c\/strong\u003e Levity \u0026amp; Gravity. The Gravity of Living. 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Action Books, 2011.\u003cbr\u003e\u003cstrong\u003e         Aase Berg.\u003c\/strong\u003e \u003cem\u003eDark Matter\u003c\/em\u003e. Translated from the Swedish by \u003cstrong\u003eJohannes Gorannson\u003c\/strong\u003e. Black Ocean, 2012.\u003cbr\u003e\u003cstrong\u003e         Ernst Meister.\u003c\/strong\u003e \u003cem\u003eIn Time's Rift\u003c\/em\u003e. Translated from the German by \u003cstrong\u003eGraham Foust \u003c\/strong\u003eand \u003cstrong\u003eSamuel Frederick\u003c\/strong\u003e. Wave Books, 2012.\u003cbr\u003e\u003cstrong\u003e         Tomaz Salamun.\u003c\/strong\u003e \u003cem\u003eOn the Tracks of the Wild Game\u003c\/em\u003e. Translated from the Slovenian by \u003cstrong\u003eSonja Kravanja\u003c\/strong\u003e. Ugly Duckling Presse, 2012.\u003cbr\u003e\u003cstrong\u003e          Lidija Dimkovska.\u003c\/strong\u003e \u003cem\u003epH Neutral History\u003c\/em\u003e. Translated from the Macedonian by \u003cstrong\u003eLjubica Arsovska \u003c\/strong\u003eand\u003cstrong\u003e Peggy Reid\u003c\/strong\u003e. Copper Canyon Press, 2012.\u003cbr\u003e\u003cstrong\u003eTony Hoagland:\u003c\/strong\u003e Toward a Postmodern Humanism: \u003cem\u003eInformation, Layering, and the Composite Poem\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eClaudia Keelan:\u003c\/strong\u003e \u003cem\u003eEcstatic Émigré 10\u003c\/em\u003e: The Instant\u003cbr\u003e\u003cstrong\u003eYusef Komunyakaa:\u003c\/strong\u003e The Land of Cockaigne • The Water Clock • The Emperor • The Green Horse • With My Fish-Skin Drum • The Minotaur\u003cbr\u003e\u003cstrong\u003eJennifer Kronovet:\u003c\/strong\u003e With the Boy, with Myself • With the Boy, with My Father\u003cbr\u003e\u003cstrong\u003eGerry LaFemina:\u003c\/strong\u003e On the Remains of a Fire at West End Park\u003cbr\u003e\u003cstrong\u003eDana Levin:\u003c\/strong\u003e Across the Sea\u003cbr\u003e\u003cstrong\u003eLaurence Lieberman:\u003c\/strong\u003e (Column) Homage to the Unburied: \u003cem\u003eSleepers\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eLaurence Lieberman:\u003c\/strong\u003e (Poem) Humpback, Through a Spyglass\u003cbr\u003e\u003cstrong\u003eMihaela Moscaliuc:\u003c\/strong\u003e Radioactive Wolves: A Retelling • Clawed Soleares with Strong Sun and Suitcases • Sheela na Gig • Ana to Manole\u003cbr\u003e\u003cstrong\u003eStanley Moss:\u003c\/strong\u003e Pax Poetica • Hell • December 8 • Paper Swallow • What • Parable of the Porcupine • Alexander Fu Musing • Silent Poem • Affluent Reader • Signifier • Pollen\u003cbr\u003e\u003cstrong\u003eBradley Paul:\u003c\/strong\u003e What Kind of Reply Are You? • What Kind of Meteorology Are You?\u003cbr\u003e\u003cstrong\u003eSparrow:\u003c\/strong\u003e Movie Stars","brand":"The American Poetry Review","offers":[{"title":"Default Title","offer_id":1125080469,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/2147\/products\/Cover_-_432.jpg?v=1426520916"},{"product_id":"vol-43-no-1-january-february-2014","title":"Vol. 43 No. 1 - Jan\/Feb 2014","description":"\u003cstrong\u003eIn this issue:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eWilliam Archila:\u003c\/strong\u003e Three Minutes with Mingus\u003cbr\u003e\u003cstrong\u003eRosebud Ben-Oni:\u003c\/strong\u003e Despite Their Best Efforts\u003cbr\u003eMarianne Boruch: Three Blakes\u003cbr\u003e\u003cstrong\u003eStephen Burt:\u003c\/strong\u003e \"Like\" \u003cem\u003eA speculative essay about poetry, simile, artificial intelligence, mourning, sex, rock and roll, grammar, romantic love, William Shakespeare, Alan Turing, Rae Armantrout, Nick Hornby, Walt Whitman, William Carlos Williams, Lia Purpura, and Claire Danes\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eRegina Derieva:\u003c\/strong\u003e In Any Case • Outlet I • False Shame • Second-Hand • (Translated from the Russian by \u003cstrong\u003eFrederick Smock\u003c\/strong\u003e.)\u003cbr\u003e\u003cstrong\u003eTarfia Faizullah:\u003c\/strong\u003e Amulet • West Texas Nocturne • Confabulation\u003cbr\u003e\u003cstrong\u003eFrank X. Gaspar:\u003c\/strong\u003e \u003cstrong\u003eFrank X. Gaspar\u003c\/strong\u003e interviewed by \u003cstrong\u003eEllen Bass\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFrank X. Gaspar:\u003c\/strong\u003e Late Rapturous • June\/July—Eleven Black Notebooks at the Desert Queen Motel • I Changed My Clothes with a Beggar Once\u003cbr\u003e\u003cstrong\u003eWilliam Kistler:\u003c\/strong\u003e study eight • study nine • study eighteen • study thirty-nine • study forty-four • study fifty-six • study fifty-nine • study sixty-two • study sixty-three • study sixty-four • Afterword (on \u003cem\u003eThe Studies\u003c\/em\u003e)\u003cbr\u003e\u003cstrong\u003eJoy Ladin:\u003c\/strong\u003e Emperors of Ice Cream: Sense, Non-sense and Silliness in American Poetry\u003cbr\u003e\u003cstrong\u003eMatthew Lippman:\u003c\/strong\u003e Blowhole • Everyone's Life Needs Rain • Sentimentality • Love Machine • Sweaty and Rich\u003cbr\u003e\u003cstrong\u003eJames McCorkle:\u003c\/strong\u003e John Berryman • The Subtle Bodies\u003cbr\u003e\u003cstrong\u003eTimothy O'Keefe:\u003c\/strong\u003e Pinwheel\u003cbr\u003e\u003cstrong\u003eRobert Pinsky:\u003c\/strong\u003e Faeryland • \"Faeryland\" in 1982 and 2013 (The Poet on the Poem)\u003cbr\u003e\u003cstrong\u003eCarol Pittman:\u003c\/strong\u003e Not Everything Is a Metaphor\u003cbr\u003e\u003cstrong\u003eNate Pritts:\u003c\/strong\u003e A Responding Noise\u003cbr\u003e\u003cstrong\u003eMira Rosenthal:\u003c\/strong\u003e New Poetry in Translation: \u003cem\u003eOn Translation and Temperament\u003c\/em\u003e\u003cbr\u003e          Books discussed in the column\u003cbr\u003e\u003cstrong\u003e          Ilya Kaminsky \u003c\/strong\u003eand\u003cstrong\u003e Jean Valentine\u003c\/strong\u003e. \u003cem\u003eDark Elderberry Branch: Poems of \u003cstrong\u003eMarina Tsvetaeva\u003c\/strong\u003e.\u003c\/em\u003e Alice James Books, 2012\u003cbr\u003e\u003cstrong\u003e          Sohrab Seperhi\u003c\/strong\u003e. \u003cem\u003eThe Oasis of Now\u003c\/em\u003e. Translated by \u003cstrong\u003eKazim Ali\u003c\/strong\u003e and \u003cstrong\u003eMohammad Jafar\u003c\/strong\u003e \u003cstrong\u003eMahallati\u003c\/strong\u003e. BOA Editions, 2013\u003cbr\u003e\u003cstrong\u003e          Bernard Noel\u003c\/strong\u003e. \u003cem\u003eThe Rest of the Voyage\u003c\/em\u003e. Translated by \u003cstrong\u003eElena Rivera\u003c\/strong\u003e. Graywolf Press, 2011.\u003cbr\u003e\u003cstrong\u003e          Yannis Ritsos\u003c\/strong\u003e. \u003cem\u003eDiaries of Exile\u003c\/em\u003e. Translated by \u003cstrong\u003eKaren Emmerich \u003c\/strong\u003eand\u003cstrong\u003e Edmund Keeley\u003c\/strong\u003e. Archipelago Books, 2013.\u003cbr\u003e\u003cstrong\u003eJason Schneiderman:\u003c\/strong\u003e The Sadness of Antonio\u003cbr\u003e\u003cstrong\u003eEd Skoog:\u003c\/strong\u003e Turtles • Being in Plays • The Dining Room Table at My Place in Washington • When\u003cbr\u003e\u003cstrong\u003eMichael Waters:\u003c\/strong\u003e Poem, Slow to Come, on the Death of Logan • Lord Cockroach • Marvel • The New Gods • Punk Prayer • Mihaela Barefoot • Book of Names\u003cbr\u003e\u003cstrong\u003eKaren Whalley:\u003c\/strong\u003e As If","brand":"The American Poetry Review","offers":[{"title":"Default Title","offer_id":1125085237,"sku":"","price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/2147\/products\/Cover_-_431.jpg?v=1426521105"},{"product_id":"vol-42-no-6-november-december-2013","title":"Vol. 42 No. 6 - Nov\/Dec 2013","description":"\u003cstrong\u003e\u003cem\u003eIn this issue:\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSebastian Agudelo:\u003c\/strong\u003e Block Party\u003cbr\u003e\u003cstrong\u003eEllen Bass:\u003c\/strong\u003e Their Naked Petals\u003cbr\u003e\u003cstrong\u003eStephen Dobyns:\u003c\/strong\u003e No Simple Thing • Sincerity • Furniture\u003cbr\u003e\u003cstrong\u003eStephen Dunn:\u003c\/strong\u003e The Widening • The Proliferation • Old Past, Near Past • Nothing to Hold On To • Cleaning Up • Betty Friedan's Final Advice • It Was a Time • Odds Are • The Man with Three Horses • The Country of the Next Thing\u003cbr\u003e\u003cstrong\u003eStephen Dunn:\u003c\/strong\u003e What's at Stake: \u003cem\u003eA Conversation on Irony between \u003cstrong\u003eGerry LaFemina\u003c\/strong\u003e and \u003cstrong\u003eStephen Dunn\u003c\/strong\u003e.\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eRae Gouirand:\u003c\/strong\u003e Glass Is Glass Water Is Water\u003cbr\u003e\u003cstrong\u003eKimiko Hahn:\u003c\/strong\u003e Mark Twain (XXX) kept (XXX) a barrel and fed (XXX) the bung hole. • \"(XXX)pruning(XXX)\" • \"(XXX)this huge surge(XXX)right before(XXX)a kind of use-it-or-lose-it(XXX)\" • Circling a Sphere • Balls • The Compass • Circling an Eye • The Dream of a Raindrop\u003cbr\u003e\u003cstrong\u003eJane Hirshfield:\u003c\/strong\u003e Poetry, Transformation, and the Column of Tears\u003cbr\u003e\u003cstrong\u003eJane Hirshfield:\u003c\/strong\u003e I Wake Early • I Cast My Hook. I Decide to Make Peace • Two Linen Handkerchiefs • Florists' Roses • Cellophane: An Essay\u003cbr\u003e\u003cstrong\u003eMaria Hummel:\u003c\/strong\u003e Rounds • There Is a Story • I'm This Many • The Tree • Cole's Pacific Electric Buffet • Immunology • At Night, Late, Tar Pit • A Thousand Faces\u003cbr\u003e\u003cstrong\u003eJoy Katz:\u003c\/strong\u003e Baby Poetics: \u003cem\u003eOn \u003cstrong\u003eOstriker\u003c\/strong\u003e, \u003cstrong\u003eDurand\u003c\/strong\u003e, \u0026amp; \u003cstrong\u003eBerrigan\u003c\/strong\u003e\u003c\/em\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003eWorks cited in this article:\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cstrong\u003eAnselm Berrigan\u003c\/strong\u003e. \"To Hell With Sleep.\" \u003cem\u003eFree Cell\u003c\/em\u003e. San Francisco: City Lights Publishing, 2009.\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cstrong\u003eAndrea Caria, Simona de Falco, Paola Venuti, Sangkyun Lee, Gianluca Esposito, Paola Rigo, Niels Birbaumer, \u003cem\u003eand\u003c\/em\u003e Marc H. Bornstein\u003c\/strong\u003e. \"Species-specific response to human infant faces in the premotor cortex.\" \u003cem\u003eNeuro­lmage\u003c\/em\u003e 2012; 60(2):884-893.\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cstrong\u003eLydia Davis.\u003c\/strong\u003e \"Priority\" \u003cem\u003eThe Collected Stories of Lydia Davis\u003c\/em\u003e. New York: Picador, 2010. • \u003cstrong\u003eMarcella Durand\u003c\/strong\u003e. \"The Shaking Frame.\" \u003cem\u003eCritiphoria\u003c\/em\u003e, March 2010.\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cstrong\u003eJennifer Kronovet\u003c\/strong\u003e. \"With the Boy, Cemetery.\" \u003cem\u003eWitness\u003c\/em\u003e 24:3 (Fall 2011). http:\/\/witness.blackmountaininstitute.org\/issues\/volume-24-number-3-fall-2011\/\u003c\/div\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cstrong\u003eAlicia Ostriker\u003c\/strong\u003e. \"Propaganda Poem: Maybe for Some Young Mamas.\" \u003cem\u003eThe Mother\/Child Papers\u003c\/em\u003e. Pittsburgh, The University of Pittsburgh Press, 2009.\u003c\/div\u003e\n\u003cstrong\u003eTomas Q. Morin:\u003c\/strong\u003e Miles Davis Stole My Soul • 112th Congress Blues • The Food Critic\u003cbr\u003e\u003cstrong\u003eTomas Q. Morin:\u003c\/strong\u003e A Conversation with \u003cstrong\u003ePhilip Levine\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eJosh Rathkamp:\u003c\/strong\u003e Counting Cows\u003cbr\u003e\u003cstrong\u003eIra Sadoff:\u003c\/strong\u003e Old World\/New World • My Tulsa • Ode to the Defense Mechanism\u003cbr\u003e\u003cstrong\u003eTomaz Salamun:\u003c\/strong\u003e Your Sister • Your Vertex • You Painted This, Because I Demanded\u003cbr\u003e\u003cstrong\u003eElizabeth Spires:\u003c\/strong\u003e Cloud Koan • Coda: My Life • The Sound of the Sea at the Shore\u003cbr\u003e\u003cstrong\u003eSusan Stewart:\u003c\/strong\u003e A Clown\u003cbr\u003e\u003cstrong\u003eJoe Wenderoth:\u003c\/strong\u003e Assembling Your Clown • \"Singing comes cheap to those who do not pay for it….\" • Manufacturing Consent • Political Affiliation: • Genetics • In the Imaginary House That Holds It\u003cbr\u003e\u003cstrong\u003eDean Young:\u003c\/strong\u003e A Stranger in a Familiar Land • Folklore • Telegraph Avenue • Singing Underwater • Watcher of the Skies • Disorder Ode • Sky Below\u003cbr\u003e\u003cstrong\u003eC. 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