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Vol. 46 No. 1 - Jan/Feb 2017

Vol. 46 No. 1 - Jan/Feb 2017

$ 5.00


A. R. Ammons and Josephine Miles. A Correspondence (with an introduction by Jesse Nathan)
Scott Edward Anderson:  Owl in the Gloaming • Deaths of the Poets
Tara Betts:  Reunion: The Violence and the Joy of Black Lives in Aracelis Girmay's The Black Maria (https://www.boaeditions.org/products/the-black-maria)
Sarah Blake:  A Poem for My Son • Nudes • The World • How We Might Survive
Daniel Borzutzky:  What the Neoliberal Policy Labs Eat and Shit: Horrific Fables for a Specific Universe
Michael Broek:  The New World (I) • Futures Markets • The New World (II) • Nearer Astronomies • The New World (III)
Stephen Dunn:  A Card from Me to Me • If It's True • Nothing Personal • The First Person
Lynn Emanuel:  twenty-one paragraphs Collecting the Evidence
Lynn Emanuel:  Lynn Emanuel interviewed by Colette LaBouff. The Architecture of Revision (Never the Same Twice)
Albert Goldbarth:  P. L. • When Galileo Enters My Head, I'm Thinking About My Own History with the History • Makes the Beauty • Change
Jennifer Grotz:  An Anxiety of Influence for Girls
Jesse Lee Kercheval:  Tatiana Orono, Still Life with Defeats (translated from the Spanish by Jesse Lee Kercheval)
Colette LaBouff:  Lynn Emanuel interviewed by Colette LaBouff. The Architecture of Revision (Never the Same Twice)
Matthew Lippman:  Inside His Empty Beautiful Solitude • The Man Who Fails Most Frequently and Beautifully
Joseph Millar:  Southern Exposure • Mothers • Eclipse • Ancestral • Community Hospital
Thylias Moss:  Hypnosis at the Bird Factory • This Did Not Happen
Tatiana Orono:  Still Life with Defeats (translated from the Spanish by Jesse Lee Kercheval)
Cherry Pickman:  How to Keep Alive
Ruben Quesada:  Angels in the Sun
Sam Sax:  E R A S U R E
Paula Simonetti:  Carolina • Milagros • What the Sad Say
Layli Long Soldier:  Dilate • Left
Casey Thayer:  Drowning doesn't look like drowning
Michael Waters:  Karakul • Iesire • The Deadwood • Poetry • Remember, Body… • White Fields
Ellen Dore Watson:  Ode to Abstractions