{"product_id":"vol-4-no-5-sept-oct-1975","title":"Vol. 04 No. 5 - Sept\/Oct 1975","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eJoe Allen:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Deer-Time\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003ePaula Gunn Allen:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Wool Season\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eGeorge Amabile:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Clean Through • John Hoogstraten's Goodwill Hat\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eMarvin Bell:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003ci\u003eHomage to the Runner: A Column\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eEmile Capouya:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003ci\u003eOn Poetry And The Common Life \u003c\/i\u003eby \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eM. L. Rosenthal \u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e(Reviewed By \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eEmile Capouya\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eConstantine Cavafy:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Candles • In The Cafe (Translated By Richard Lattimore) \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eW. S. Di Piero:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003ci\u003eOn Film: A Column: The Passenger\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eNorman Dubie:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e The Obscure • Monologue of Two Moons, Nudes with Crests. 1938.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eStephen Dunn:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Fable of the 20th Century • Fable for the Mad and the Respectable\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eCharles Fair:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003ci\u003eThree Impressions: A Column\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eAlbert Goldbarth:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e John \u0026amp; The Lusitania • Slate\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eBrad Gooch:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e The Only Light In The Laboratory\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eRichard Hugo:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003ci\u003ePoetry In The Classroom: Writing Off The Subject\u003c\/i\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eStanley Kauffmann:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Album of Comic-Book Life\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eHenry V. Larom:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Patched Up Man\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eDenise Levertov:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Woman Alone • A Mystery (Oaxaca, Mexico) • Wedding-Ring \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eA Group of Poets Selected by Denise Levertov\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eDenise Levertov:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003ci\u003eIntroductory Note\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eHenry Braun:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e The Thief of Permission\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eRobert Dana:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Moving\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eCarol Heckman:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e From 13 Celebrations\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eNellie Hill:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e The Neighbor's Guest • Voyeur\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eStephen Kessler:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e In The Late Sun • A Version of Vicente Aleixandre's I Am Destiny \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eTed Kooser:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Old Soldiers' Home\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eHilda Morley:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Untitled\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eNed O'Gorman:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Biting Down on Fish\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eSusan Sherman:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e America\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eClarence Major:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003ci\u003eOpen Letters: A Column\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eDavid Porter:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e On\u003ci\u003e \u003c\/i\u003e\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e\u003ci\u003eTed Hughes\u003c\/i\u003e\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eA. G. Sobin:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e The November Suicides • Sharon, Glum in the Dark Chair, Reads • Departure at Dusk: The Airport Corridors, The Late Autumn Plane \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003ePamela Stewart:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e To the Countryside • The Lake \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eLillian Vallee:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e On\u003ci\u003e The Revolution of Things \u003c\/i\u003eby \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eMiron Bialoszewski \u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e(Translated by \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eAndrzej Busza\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e and \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eBogdan Czajkowski\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e)\u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003e.\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e (Reviewed By \u003c\/span\u003e\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eLillian Vallee\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eLinda Wagner:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e \u003ci\u003eThe Latest Creeley\u003c\/i\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cb style=\"mso-bidi-font-weight: normal;\"\u003eVarious:\u003c\/b\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003e Writ By Hand: An Anthology of Student Poems: A Special \u003ci\u003eAPR\u003c\/i\u003e Supplement\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"mso-bidi-font-weight: bold;\"\u003ePoems by students from Cincinnati OH; Syracuse NY; Philadelphia PA; and Manhattan Beach CA. \u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The American Poetry Review","offers":[{"title":"Default Title","offer_id":46979497885879,"sku":null,"price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0767\/2147\/files\/045-LevertovA.jpg?v=1772049385","url":"https:\/\/the-american-poetry-review.myshopify.com\/products\/vol-4-no-5-sept-oct-1975","provider":"The American Poetry Review","version":"1.0","type":"link"}