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Vol. 51 No. 1 - Jan/Feb 2022

Vol. 51 No. 1 - Jan/Feb 2022

$ 5.00


David Baker: Commencement • Middle Devonian
Marianne Boruch: Wild Blue Yonder
Despy Boutris: Afternoon in the Woods • In a Dream We Both Have,
Traci Brimhall: I Would Do Anything for Love, But I Won't • I Want to Write an Epithalamium for Our Future
caconrad: Three Poems from Shards
Juliana Chang: Bless Your Soup
Kwame Dawes: On Becoming • The Unspeakable Things • Every Cashew Nut Is a Dead Fruit • In Repose • The Backyard: A Shrine
Dobby Gibson: Poem for Hotel Soaps • Poem for David Lee Roth
Marilyn Hacker: Montpeyroux Sonnets 2021
Kimiko Hahn: Learning from Poetic Closure
Edward Hirsch: An Appreciation of Julia de Burgos, "Farewell in Welfare Island"
Dana Levin: How to Hold the Heavy Weight of Now
Cate Lycurgus: To Make of Falling, Flight (A review of Be Holding by Ross Gay, University of Pittsburgh Press, 2021; https://upittpress.org/books/9780822966234/)
Aurielle Marie: Some of the Men We Love Are Terrorists
Wayne Miller: Toward a Unified Theory
Abby Minor: Light Work • Dawn_Dusk
Gabriel Ojeda-Sagué: The Sound of the Idea of Horses
Dzvinia Orlowsky: Five Centos after Serhiy Zhadan
     Cento 1, What We Live For, What We Die For—based on first lines by Serhiy Zhadan
     Cento 2, What We Live For, What We Die For—based on 8th lines by Serhiy Zhadan
     Cento 3, What We Live For, What We Die For—based on 9th lines by Serhiy Zhadan
     Cento 4, What We Live For, What We Die For—based on 20th lines by Serhiy Zhadan
     Cento 5, What We Live For, What We Die For—based on last lines by Serhiy Zhadan
Paisley Rekdal: White Noise, White Elegies: Race, appetite, and performance in Frank O'Hara and Michael Dickman
Viplav Saini: Kintsugi
Natalie Shapero: Larger Papers • Start • How'd You Get This Number
Danez Smith: a I n a m • my deepest and most ashamed apologies to Assotto Saint • "you don't know me/I'm hanging from a tree" • [my shadow is haunting me again]
Peter Waldor: Wonder Bread And Speaking of Detachment
Dara Wier: Simile for Its Own Sake • Credits