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Vol. 51 No. 4 - Jul/Aug 2022

Vol. 51 No. 4 - Jul/Aug 2022

$ 5.00


Mary Jo Bang: The Key • Here We All Are with Daphne • Reign of Terror • Once Upon a Time • Hotel Incognito
Ina Cariño: Self-Portrait as Foreign Body with Storm in My Lungs • Point to Home
Christopher Citro: On Giving Up: Its Uses and Benefits in the Writing Life: An essay on one process of beginning, continuing, and finishing writing
Charlie Clark: Devil Asks Why You Would Mouth the Word Pity
Charlotte Foreman: "Time like a ball and elastic"  A conversation with Hoa Nguyen
Mag Gabbert: Is Love Holographic
Paul Guest: All I Know
Faylita Hicks: Bonfire Brides • BDSM: Before Dusk, Say Maybe • At the End of Time: Iya Ni Wura, Baba Ni Jigi • The Skybridge in This Divorce
Anna Maria Hong: Dispellations: Wisdom Body
Kien Lam: On Kindness
Iris McCloughan: After Vespers (End of August. Heat) • After Vespers (Your voice is gone now) • After Presque Isle • After Harvest
John Morrison: Headphone Masterpieces: Todd Rundgren--a wizard, a true star
Kathleen Ossip: How I Stopped Praying • Poem for Ben Fama
Catherine Pierce: The Curator of the Earth Museum Speaks of People • At 42, I Consider Becoming a Zookeeper
Jana Prikryl: A Procedure • Another Time • Midwood 20 • Purple Room
Jason Schneiderman: A History and Theory of the Line in English Language Poetry
Darius Simpson: Untitled (For Lack of Free Time) • This City Got Its Head on Backwards
Marcela Sulak: The Fault • A Recent Study Shows that Farmers Have the Most Sex in America • Wages, women, and immigrants
Craig Morgan Teicher: Corona
Dale Young: The Shadow Cast • Self-Portrait Using Three Mirrors, 2021