Millicent Borges Accardi: The Art of the Possible: An interview with Dana Gioia and his translator, Rosangela Batista

Cynthia Arrieu-King: Chief Agreements • The Search For Something That Was Never Truly There • Reverse Heist • Rancor • Common Denominators

Hadara Bar-Nadav: Grief Is Like Grief

Matthew Dickman: Sleep • Star Wars • Watercolor • Room 705 • Heathered • Milk Glass

Monica Ferrell: At the Price Chopper • I Have Found It • I Appreciate Your Visibility • Is It All Right

Daisy Fried: Goose After Goose • Barrel of Monkeys

Amorak Huey: So Warm for November, in Bed with the Windows Open • Let Us First Bend Space and Time

Anna Journey: At Wally's Wine & Spirits, I Recall the Brothels of Pompeii

David Kirby: Everybody Got Better: What Jack Gilbert Means to Me

Nathaniel Lachenmeyer: My Perfect Scholar's Rock

Philip Metres: "I Learned to Love Me Later On": A Conversation with Therí Alyce Pickens

Tomás Q. Morín: Lake Limerick • For Sale: Tiny Home • Trick or Treat, 1982

Aimee Nezhukumatathil: Six Poems from Night Owl:  

Letter for Noctiluca • Night As a Verb • Saturnine • Adolescent Haibun • Almost Mercury • At My Birthday Party in Death Valley National Park

V. Penelope Pelizzon: The Hyenas

heidi andrea restrepo rhodes: Abolition Medicine: Liberatory Poetics of the Crip, Black Botanical

Elaine Sexton: Wait • Still Working

Peter Jay Shippy: From The Poetry Dopebook: Dictums, Apothegms, and Bloody Saws

Kimberly Ann Southwick: Sprouting a Horn

Ellen June Wright: Someone said, jasmine